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thedotisblack:

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myartexperiments:

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"Thus, what we have in interactive media art are apparatus-like artworks whose epistemic potential must be sought in the process of interaction. However, this process may also turn into an experience guided exclusively by production aesthetics. Then the interaction system becomes a device that is used to create manifestations that, in turn, proffer themselves for contemplative reception."
Kwastek, Katja. Aesthetics of Interaction in Digital Art. Trans. Warde, Niamh. Cambridge, MA: The MIT Press, 2013. (via carvalhais)
"David Weinberger has taught me that knowledge confined in a book at a single address on a shelf is limited.

And Aaron Swartz has taught me that content must not be the end game for knowledge. Why does knowledge become an article in a journal—or that which fills a book or a publication—except for people to use it? And only when they use it does content become the tool it should be. Not using knowledge is an offense to it. If it cannot fly free beyond the confines of content, knowledge cannot reach its full value through collaboration, correction, inspiration, and use.

I’m not saying that content wants to be free. I am asking whether knowledge wants to be content."
JENNY HOLZER
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maximilianheitsch:

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